It’s Christmastime in a Scottish port town, and Morvern (Samantha Morton), a 21-year-old supermarket clerk, has discovered that her boyfriend has committed suicide during the night, leaving behind a ...
For the uninitiated, Stephen Chbosky’s novel The Perks of Being a Wallflower, published by MTV Books in 1999, wholeheartedly engages in the teenage impulse towards pretentiousness. Routinely compared ...
If Satyajit Ray was the suitable boy of Indian art cinema—unthreatening, career-oriented, reliably tasteful—Ritwik Ghatak, his contemporary and principal rival, was its problem child. Where Ray’s ...
I was also inspired by Emir Kusturica: Black Cat, White Cat; Underground; Time of the Gypsies. He has this beautiful chaos that happens in Black Cat, White Cat, and you know it’s people living in ...
That one of the most consistently amusing and enlivening movies to emerge from 2011’s crop of festival films should have been made by a filmmaker under house arrest, his hands pretty much tied, his ...
You know I’m compiling a book on the directing of the non-actor. I am meeting many directors. The book is primarily a way for me to organize my own thinking and to take advantage of the experiences of ...
When filmmaking couple Joe Brewster and Michèle Stephenson’s 5-year-old son Idris and his best friend, Seun, both African-American, are accepted into the highly prestigious and almost exclusively ...
“I just came from Deep River, Ontario, and now I’m in this dream place,” says Betty, the absurdly naive and optimistic young actress whose downward trajectory is the emotional and narrative center of ...
The word “cult” is never once uttered during Martha Marcy May Marlene’s 120 minutes. Like any pathology, it’s a concept that has never crossed the mind of the film’s eponymous protagonist, but to the ...
Only rarely has a new talent burst upon the film scene with such brilliance as did Bernardo Bertolucci with his Before the Revolution (1963). Bertolucci, the rebel of the Italian film scene, ...
The Canyons is a compelling, twisted film about sex, career, money, and power in contemporary Hollywood. But the story, while edgy and intricate with deceit and betrayal, is a means to another end.
Alice Guy was not merely the first woman filmmaker; she was in fact an authentic motion picture pioneer both in the expansion of a film aesthetic and in the development of the new art’s technical ...
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