Gone fishing: the documentarian talks about his first feature in over a decade, an emotionally devastating and intricately ...

Beyond the frame: films by Anocha Suwichakornpong, Ross McElwee, and Bani Khoshnoudi open lines of flight into the shared social and historical world to which they—and we—belong ...

Your voice on the phone is much younger than it is in the movie. Actually it's different from any of your movie voices. It depends on what character I'm being this week, but it's usually just the same ...

Spike Lee will be honored by Film at Lincoln Center at the 46th Chaplin Award Gala. [Radio Raheem’s theme in Spike Lee’s Do the Right Thing] It’s the hottest day of summer in Bed-Stuy, Brooklyn, where ...

If Satyajit Ray was the suitable boy of Indian art cinema—unthreatening, career-oriented, reliably tasteful—Ritwik Ghatak, his contemporary and principal rival, was its problem child. Where Ray’s ...

Taxi Driver has a lot of negative aspects, but it would be silly to shrug off its baroque visuals and its high-class actor, Robert De Niro, whose acting range is always underscored by a personal ...

Alice Guy was not merely the first woman filmmaker; she was in fact an authentic motion picture pioneer both in the expansion of a film aesthetic and in the development of the new art’s technical ...

ROGER CORMAN: I started originally as a mes­senger at Fox. I came out of Stanford as an engi­neer, worked four days and quit. The only way I could get into the business was a messenger. I worked ...

There’s nobody on this set who’s got a bigger dick than he does. Whatever he wants, he gets. —a Milagro production assistant. Even in this remote location, Robert Redford can’t escape the glare of the ...

The story of Third World Cinema Corporation—a fledging production house founded by Black and Latino artists in 1971—is at once inspirational and heartbreaking. An earnest “for us, by us” effort to ...

Land of the Pharaohs (1955, Howard Hawks). When I first saw it, as a kid, Land of the Pharaohs became my favorite film. I’d always been addicted to historical epics, but this one was different: it ...

Time is a formidable enemy in Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days, and thus it’s appropriate that its scenes, shot in handheld cinemascope, are built around prolonged, pitilessly unblinking ...