In the opening beats of The Bride!, the second feature written and directed by Maggie Gyllenhaal, the ghost of Mary Shelley (Jessie Buckley) mutters to herself from some dark corner of the ...

Toronto-based writer Dylan Adamson delves into the mysterious backstory of The Napa Boys, the latest from comedians Nick ...

Natalia Keogan highlights five films (and two amazing musical acts) to catch at the 2026 True/False Film Fest.

The BAFTAs were rife with scandals and upsets, but as Oscar voting come to a close, will the PGA and Actors Awards provide ...

I found a way to look into the universe,” says non-fiction Australian filmmaker Josef Gatti in his feature debut Phenomena. Paradoxically, it turns out that the wonders of the universe ...

In his final Considerations column before Oscar voting closes, Tyler Coates celebrates the unpredictability of this year’s potential winners.

At the 2026 Berlinale, the festival’s insistence on separating art from politics wasn’t reflected in the lineup—least of all in its Forum documentary section.

Before the Berlinale announced its official selection, it presented a remarkable retrospective entitled Lost in the 90s. Spanning wide geographies, with particular emphasis on narratives surrounding ...

A charming scoundrel visiting the city of his father’s birth, William is drawn to his impromptu guide Effy — wise, spontaneous, and half his age. Goldberg & Eisenberg (Director/Screenwriter: Oren ...

In 2020’s The Painter and the Thief, Norwegian director Benjamin Ree told the story of the unlikely friendship between artist Barbora Kysilkova and heroin addict Karl-Bertil Nordland through ...

Now that the drama is over about whether the Academy would disqualify Andrea Riseborough for her rules-skirting DIY Oscar campaign for To Leslie, we can now return to the question every indie ...