Released in 1985, in the fading light of the Cold War, Gilliam’s film announced itself as both absurdist vaudeville and bleak prophecy, a comedy choking on its own laughter.

Veteran filmmaker Terry Gilliam is headed to the Umbria Film Festival in Italy, where a screening next weekend of his iconic 1985 dystopian black comedy Brazil will celebrate the film’s 40th ...

It isn’t the technology of Terry Gilliam’s sci-fi classic that holds up, but the film’s depiction of cruel bureaucracy.

Homes are invaded by masked and anonymous police, malfunctioning technology arrayed against citizens, information used as a weapon — 40 years ago, the movie "Brazil" painted a picture of America in ...

It's hard to call a comedy an objective 10/10 because of how subjective the genre is, but if certain films don't qualify, then surely none of them do.