Add Yahoo as a preferred source to see more of our stories on Google. "It's so funny to me that Andy Milligan has become this great cult figure," Laura Shaine Cunningham told IndieWire. To Cunningham ...

I am beyond pleased to speak to the merits of an iconic grindhouse actioner today. John Carpenter’s Assault on Precinct 13 is one of the most seamlessly executed exploitation films ever made. The ...

Rhianna Malas is a creative writer and essayist currently living in Melbourne, Australia. An RMIT alum, she has self produced a comic zine, and has written short stories and creative non-fiction ...

I love a good action flick. I really dig B-movie icon Cynthia Rothrock. And I have a major soft spot for the made-for-TV movies of years past. On that basis, I have nothing but love for Kevin Hooks’ ...

The Aquarius Releasing head was involved with ‘Deep Throat,’ ‘Barbed Wire Dolls,’ ‘Bruce Lee Fights Back From the Grave’ and ‘Doctor Butcher, Medical Deviate’ during his 70-year career. By Mike Barnes ...

I feel like the commercial response to “Grindhouse” nixed the idea of going for an authentic, scratched up, depraved exploitation film. Can you talk about reverse engineering the all-killer-no filler ...

Samuel M. Sherman, the writer, producer and marketing mastermind who partnered with director Al Adamson to squeeze success out of such low-budget films as Satan's Sadists, Brain of Blood and The ...

The film hyperbolically pushes the alarm button, all to push OUR buttons. To me, “A House of Dynamite” didn’t feel at all like it was directed by the commanding filmmaker of “Zero Dark Thirty” and ...

Decades before "The Hunger Games" and "Talladega Nights" brought Hollywood productions to Charlotte, a handful of locals gave independent movie making a shot with varying degrees of success. "The ...

Last House on Dead End Street is a gruesome exploitation film with real versus fake murder speculation. Director Roger Watkins originally used a pseudonym, only later to reveal he made the film.

'70s Week: Waters talks the shocking Italian classic "that people were insane from" and how Pasolini's horrific, anti-fascist vision figures into his own art-meets-exploitation-film aesthetic. (As ...